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3 Easy Reggae Bass Scales
What I’m about
to teach you are the three reggae bass scales that you will need to play reggae. Seriously! Yes seriously, these reggae bass scales are
all you will ever need to play reggae bass. Period.
I have been
playing music for well over 10 years now and when it comes to learning music, you’re always better off
keeping it simple. And learning the reggae bass scales is no exception.
The three
reggae bass scales we’ll be looking at are the major pentatonic, minor pentatonic and the major scale or
Ionian scale. There are other reggae bass scales you could use but, mastery of these three will cover all
your reggae needs and more.
1. The first of the reggae bass scales you should learn is the major
pentatonic. It is a very sweet and happy scale and it works very well over major chord progressions.
For example, in the key of G-Major, it works over G-C-D and G-D-C or if it’s a turn around in the key of
C-Major, it will work over C-D-G and in the key of D-Major, D-C-G.
These are just
examples since, you can also add some minor chords to these progressions and the reggae bass scales in
question will still work. Here is the major
pentatonic scale in two positions in the key of G. See the video
below as well.
G–Major
pentatonic reggae bass scales starting on the low E string at fret 3 and then 12.
|----------------4-|----------------------------------12-14-|
|------------5-7---|----------------------------12-14-------|
|--------5-7-------|----------------------12-14-------------|
|--3 -5-7---- -----|---------------12
-5---------------------|
2. The second of the reggae bass
scales you should master is the minor pentatonic or blues scale. It is a
melancholy or some what of sad scale which can produce some deep profound sounds. It works very well over minor chords, and listen to this, it also works well with major
chords.
For example,
in the key of G-minor you could use the G blues reggae bass scales over the following chord
progressions. Gm-Cm-Dm or Gm-Dm-Cm, you could even use it for turn around chord progressions like
Dm-Cm-Gm or Cm-Gm-Dm etc. Let your ears be your guide. Here is the minor pentatonic
scale in the key of G.
G–Minor
pentatonic reggae bass scales starting on the low E string at fret 3 and then 10.
|--------------3-5-|----------------------------------10-12-|
|----------3-5-----|----------------------------10-12-------|
|------3-5---------|----------------------10-13-------------|
|--3-6-------------|----------------10-13-------------------|
3. The last of the reggae bass scales we will look at is the major or
Ionian scale. Of the reggae bass scales this is the most versatile of them all. Why, you
ask? Well,
it is the parent scale so to speak.
From it you can get most other scales and all the seven
modes. Hence, the reason it’s the most versatile.
With all the
modes to make reggae bass scales, this scale won’t let you down. Almost any chord progression
you can think up it will fit. And rightly so since, reggae uses many chord combinations including minor and
major and their derivatives.
You can try it
over the earlier chord progressions I gave you or you could try it with the following in G-Major, G-D-Em-C,
G-Am and G-Bm-Am. It also works for more complicated turn around
progressions such as, Em-C-D-Bm-C-Am-B7. Seriously, of all the reggae
bass scales this is the only one you will need if mastered. And here it
is in reggae bass tab form, see the video as well - that may help (smiles).
G–Major reggae
bass scales starting on the low E string at fret 3 and then 10.
|------------------5-4-2-|----------------------------------12-11-|
|------------2-4-5-------|-------------------------10-12-14-------|
|------2-3-5-------------|----------------14-12-10----------------|
|--3 -5
------------------|-------10-12-14-------------------------|
There you have
it guys, all the reggae bass scales you will ever need. Just pick out
the bass notes of each of your favourite songs and you will see that the bass line sits exactly in the major
scale or any of the other two.
Practice
playing along to different chord progressions, while trying to develop a melodic
line. It’s very important you do that. Or you could develop a grove without a chord progression and just keep
jamming. Have fun! For more on reggae bass
scales
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